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shapeshifter During the three month residency period in Tokyo Arts and Space residency in the autumn 2017, I have encountered various cultural tectonic movements. Some of these cultural invisible movements produce a difference that awakes an intimate alien, which is not coextensive with the outer space. Shapeshifter (the Yōrō series) was shot in Yōrō in Gifu […]
#CHARP_solo (Liminal Space Opera) is a version of #CHARP for one performer. Examining and inhabiting the cosmic movements, planetary orbits and rotations, solar winds, and toxic atmospheres, #CHARP_solo continues the process of #CHARP as an independent astroperformance, which can be installed and performed in various places in- and outdoors. The solo version consists of a […]
Cracks is a collaborative project of four artists processing site-specific and place-responsive proposals for the program of Macau City Fringe festival 2018 in three different locations in Macau. Contextual and situational process generated several proposals, and the group performed individual and collective proposals within the festival week. In terms of urban dynamics, the sites were […]
#CHARP forms with planetary and intergalactic movements and extends the history of site-specificity towards interplanetary scale. The work explores contextual, situational, planetary, and intergalactic movements that set the conditions for the choreographic embodiment to emerge. How to take place in and with the movements that extend from microscopic beyond telescopic vision? How to embody (hyper-) reading […]
spof refers to ‘single point of failure’, and here I think of it loosely as a flaw in an ability to recognize the motional surrounding circumstance and changes of its materiality. This flaw produces ‘spoffing’ and a spof. Simultanously spoffing relates to the rotational axis of the planet Earth, which is approximately 23,5°. Thus spof […]
Meteor is a project which combines an artistic research essay and a Twitter -account PlanetaryMovements , which is also printed as a publication. The project is an inquiry to the choreographic techno-eco-somatic practice, which explores how the immediacy of the somatic practice and the hypermediacy of the body using technological device mediate each other? How […]
‘Choreography as reading practice’ indicates to that history of Choreography in which choreographic practice is understood as a writing practice. In my doctoral artistic research project I examine choreography as a reading practice based on the artistic and practical shift that has happened in my choreographic practice when it comes to thinking about the situational […]
