shapeshifter (the Yōrō series, the Kyoto series and the Tokyo series)

During the three month residency period in Tokyo Arts and Space residency in the autumn 2017, I have encountered various cultural tectonic movements. Some of these movements produce a difference that awakes an intimate alien, which is not coextensive with

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shapeshifter (the Yōrō series, the Kyoto series and the Tokyo series)

During the three month residency period in Tokyo Arts and Space residency in the autumn 2017, I have encountered various cultural tectonic movements. Some of these movements produce a difference that awakes an intimate alien, which is not coextensive with

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pompom

choreographic installation in collaboration with Vincent Roumagnac (FR) and Nao Yazawa (JAP) pompom is a project which starts and takes place in Tokyo Arts and Space –residency from September to November 2017. It is a collaborative work by three artists:

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pompom

choreographic installation in collaboration with Vincent Roumagnac (FR) and Nao Yazawa (JAP) pompom is a project which starts and takes place in Tokyo Arts and Space –residency from September to November 2017. It is a collaborative work by three artists:

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#CHARP

#CHARP forms with planetary and intergalactic movements and extends the history of site-specificity towards interplanetary scale. The work explores contextual, situational, planetary, and intergalactic movements that set the conditions for the choreographic embodiment to emerge. How to take place in and

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#CHARP

#CHARP forms with planetary and intergalactic movements and extends the history of site-specificity towards interplanetary scale. The work explores contextual, situational, planetary, and intergalactic movements that set the conditions for the choreographic embodiment to emerge. How to take place in and

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Atmospheric Choreography: Mars

This speculative choreography project explores the practice of choreography in Martian conditions. Extreme cold, unbreathable atmosphere, constant radiation from space, toxic soil, and low gravity set the conditions for choreographic to emerge. The physical environmental terrain transforms human body’s muscle

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Atmospheric Choreography: Mars

This speculative choreography project explores the practice of choreography in Martian conditions. Extreme cold, unbreathable atmosphere, constant radiation from space, toxic soil, and low gravity set the conditions for choreographic to emerge. The physical environmental terrain transforms human body’s muscle

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spof

spof  is an experiment-in-process on the artistic practice called ‘Choreography as a reading practice’, which is developing in the on-going research. spof refers to the words ‘single point of failure’ and here I think of it loosely as a flaw

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spof

spof  is an experiment-in-process on the artistic practice called ‘Choreography as a reading practice’, which is developing in the on-going research. spof refers to the words ‘single point of failure’ and here I think of it loosely as a flaw

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Meteor

Meteor is a project which combines an artistic research essay and a Twitter -account PlanetaryMovements. It is an inquiry to the choreographic techno-eco-somatic practice, which is based on the questions such as: How does the immediacy of the somatic practice

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Meteor

Meteor is a project which combines an artistic research essay and a Twitter -account PlanetaryMovements. It is an inquiry to the choreographic techno-eco-somatic practice, which is based on the questions such as: How does the immediacy of the somatic practice

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Choreography as a reading practice – research workshop / Critical Path / Sydney

‘Choreography as a reading practice’ indicates to that history of Choreography in which choreographic practice is understood as a writing practice. In my doctoral artistic research project I approach choreography as a reading practice based on the artistic, experiential and

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Choreography as a reading practice – research workshop / Critical Path / Sydney

‘Choreography as a reading practice’ indicates to that history of Choreography in which choreographic practice is understood as a writing practice. In my doctoral artistic research project I approach choreography as a reading practice based on the artistic, experiential and

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